
About Bardo Collections
Established in 2024 in Tunis, Bardo Collections is a contemporary design gallery dedicated to exhibiting, producing, and promoting collectible design from the Global South.
The gallery collaborates with established and emerging creators who share a rigorous approach to material research, technical experimentation, and craftsmanship. Moving beyond traditional production methods, each piece is developed through an exploratory process of sketches, material testing, and local fabrication.
By prioritizing regional production and alternative uses, Bardo shapes objects that transcend simple function to become carriers of narrative, identity, and material memory. Extending this vision, Bardo Collections Studio offers bespoke design services, working closely with clients and architects to realize custom pieces and coherent spatial environments.
Les Restes Anthropiques
Legend has it that during the Age of the Great Extractions, humanity had learned to freeze the world. From the depths of vanished oceans, they extracted petroleum, the fossilized blood of marine microorganisms, compressed by the silence of millennia. They refined it into a sterile body, so transparent it seemed no longer bound to time: plastic. From the soil of tropical forests, they tore bauxite, the clay-like flesh of mountains. Through fire and electricity, they extracted a metal pure, cold, and incorruptible: aluminum. For centuries, these two elements reigned over the surface. They were used to bind, wrap, and seal everything. Yet, reduced to mere tools, their origins were forgotten. The former lost the memory of the seas; the latter, the memory of the rock. Condemned to utility, they became cold specters, accumulating in vast deposits at the edges of the earth. Then came the age of the great silence. The machines fell still, and cities collapsed under the weight of their own remains. The legend tells us that nothing truly vanished. The deposits remained fossilized at the end of their first cycle, waiting. Hands had to reach into these deposits, these anthropic remains, not to destroy them or cast them into oblivion, but to awaken what lay dormant within. The objects we observe today are neither tools nor ruins. They are transitional artifacts: the fossils of a reawakened memory, proving that even at the height of their coldness, the forms shaped by human hands had never truly forgotten the living.
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